Past Exhibitions - Page 5

An exhibition space with a collaged, ring-shaped decal on the far left wall. Within the ring is the show title which reads “It’s About Us” and a block of wall text underneath. In the center of the floor is a white, center column housing a monitor, shelves, pamphlets, and small objects. Behind the center column is a set of podiums displaying burnt sienna and white colored sculptures.
Exhibition 2016

It’s About Us: A New New Yorkers Exhibition
Exhibition 2007

Jaishri Abichandani
Jaishri Abichandani: Reconciliations
A white exhibition wall with milk crates hanging in a cross shape. The outer facing surface of the crates have been spray painted, starting from the center and radiating out, yellow, orange, white, blue, green, and yellow again. Around the cross are paper cut out images of community members and famous people wearing La Calavera face paint. Propped up on the milk crate cross is a black, round sign with a brown power fist and the phrase “Corazón Indígena Por Las Vida Negras”. Below, at the gallery floor, is a row of chakra candles in different colors.
Exhibition 2016

Joining Struggles IMI Corona Exhibition 2015-2016
Two hands hold a server in their hands. Next to them, on a table surface covered with a navy-blue, plaid table cloth, is a worn out package covered in tan packaging tape.
Exhibition 2017

Julia Weist with Nestor Siré: 17.(SEPT) [By WeistSiréPC]™
A white exhibition wall with a mural. The mural has a soft blue background and a bed of orange, blue, yellow, and pink flowers at the bottom. Hovering above the flowers is a smoking gun and four large bullets with the phrase “hurt people hurt people” written across them. Above that is a quote by MLK that reads “At the center of nonviolence stands the principle of Love” in orange cursive.
Exhibition 2021

LIFE Camp
Kingdom Peace
An illustration of a long, skinny, wooden table that stretches the entire composition. Seated in the center is the Dalai Lama attended by 6 monks on each side. His center position is reemphasized by their gazes. The illustration is textured by tiny stippling. Behind the monks, dressed in colorful garb, is a golden yellow structure filled with tiny statues of deities.
Exhibition 2014

Kora: A Meditation on Pilgrimage
A group of Latinx women and children gathered in a park pathway. At the center, a few of the women are holding up a red-orange banner with the phrase “La Vida Es Bonita” embroidered with blue, green, and purple thread. Towards the right is a woman and child proudly holding up matching light blue pillows with colorful, floral embroidered patterns.
Exhibition 2019

La Vida es Bonita / Life is Beautiful
Exhibition 2009

Johanna Unzeta
Launch Pad Artist Project: Iron Folklore
Exhibition 2008

O Zhang
Launch Pad Artist Residency
A selection of artworks by the Leadership Cohort are on view.
Exhibition 2023

Liberating Our Truth
Down a hallway, Photographs, news articles and video installations hang on a yellow and white wall with different Caribbean country flags, a rainbow LGBTQ+ flag, and Black Lives Matter flag, hanging from the ceiling in a row parallel to the wall. At the beginning of the hallway is a mannequin wearing a festive, bright colored, colorful, feathered, carnival outfit.
Exhibition 2021

Caribbean Equality Project
Live Pridefully: Love and Resilience within Pandemics
An installation view of Caribbean Equality's Projects' outdoor exhibition titled Live Pridefully. The image features several vinyl banners secured on a large black structure lining a tall brick wall. A woman is walking past the exhibition and looking at the banners. She has fair skin and blond hair, and is wearing a white tank top, turquoise shorts, and gray sneakers.
Exhibition 2023

Live Pridefully: Love and Resilience within Pandemics
On a black podium a clear plexiglass box houses a plant growing out of a thin layer of soil. The plexiglass box has four metal vents and UV lights feeding the plant from above. The UV light in the box is bright and reflecting pinkish-purple light into the room. Framing the box is two sheets of lime-green plexiglass that have a cut-out mosaic pattern.
Exhibition 2021

Utsa Hazarika
Living As A Nation
Exhibition 2010

Luiz Márquez
Luis Márquez in the World of Tomorrow: Mexican Identity and the 1939-40 New York World’s Fair
Exhibition 2007

Grimshaw Architects
Macro to Micro: Grimshaw in New York
The artist Mierle Laderman in conversation with a Sanitation worker, standing beside a Sanitation truck. Mierle is a White woman with thick, long, blonde hair. She is wearing teal pants, an orange shirt, and a black, zip-up vest. The Sanitation worker is Black and dressed in a gray uniform. The truck is white and covered in graffiti.
Exhibition 2016

Mierle Laderman Ukeles
Maintenance Art
A square quilt made up of 64 smaller squares patches and a thin white perimeter. The first square, on the top left, has the words “Memories Migration Common Thread” embroidered on a white patch with black thread. Each of the other patches are made up of different colors with either abstract shapes, letters, or motifs.
Exhibition 2019

Making Community Story Quilts
A black and white photo of a group of women of color standing in a circle. They are standing on a park lawn arms length apart from one another. Behind them are tall trees and an above ground railway.
Exhibition 2021

Malikah: Building Power and Safety for Our Communities” and “TransLatinx Resilience against COVID-19”
Project

Silke Kästner
Marigold, Marigold, Marigold: A Mobile Yellow Garden for Corona Plaza
Two immigrant women wearing kitchen aprons stand in from of an outdoor food stand. Behind them, in metal food containers, are different types of grilled meat, corn on the cob, and plantains. At the top of the stand is a colorful banner with images of different plates that they serve.
Exhibition 2017

Migrant Kitchens, Portraits and Short Films, from the Margins
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