Past Exhibitions - Page 1

A video thumbnail with a centered, black “press play” symbol in a green rounded off square. The thumbnail is of a two-story, vertical mural against a white marble wall. The mural is installed above a set of elevators, and between a set of escalators and a floor to ceiling window. The mural is made up of sixty, mixed-media, abstract portraits.
An exhibition room with large, two-dimensional artworks and sculptures hanging from the walls. On the exhibition floor is a sculpture of a dark blue, four-legged animal. The animal’s face is covered by a blue Tostitos chip bag.
An art installation made up of tiles, fills up a wall from floor to ceiling. The background creates a gradient from navy blue to blue, from top to bottom. Above the tiled background are six large circles, of varying sizes, made up of smaller multi-color circles.
Three Black adults sit in chairs forming a circle in what appears to be a classroom. They are dressed in business causal wear and have surgical masks on but tucked under their chins for a conversation. Behind them is a large poster with the logo for the Rockaway Development & Revitalization Cooperation.
An exhibition space with Tiffany Glass lamps on display. The lamps are made up of mosaic, green blue, purple, and yellow nature patterns and motifs. They come in variations of floor, table, and hanging lamps.
An exhibition space with Tiffany Glass lamps on display. The lamps are made up of mosaic, green blue, purple, and yellow nature patterns and motifs. They come in variations of floor, table, and hanging lamps.
An exhibition space with artworks on the perimeter walls. At the center of the space is a set of four-sided, white blinds raised to reveal a section of hardwood floor embedded into the exhibition floor.
A four-sided set of blinds that take up the majority of an exhibition floor. The blinds are hanging from the ceiling and are raised to reveal a rectangular section of hardwood floor embedded into the exhibition floor. On the hardwood floors is a round, black rug with white plastic chairs arranged in a circle. In the center of the chairs is a cylindrical stand displaying several monitors.
An elderly Chinese-American man stands in a room with hardwood floors and dark grey walls. The view of him is framed by two large, iridescent globes that are covered by black, gridded lines. He is wearing a black suit, that fits his body loosely, a white dress shirt, and glasses.
A black and white photograph of Louis Armstrong cheesin’ his pearly whites. His gaze is towards another camera lens. Behind him is a row of police officers. Together, with a crowd of onlookers, they are captured standing. While the police officers are on the curb, Louie is crouching up out of a parked convertible, filled with seated passengers.
A narrow exhibition space with white walls and hardwood floors. Along the two walls are series of two dimensional works. Spread out on the floor is two display cases and two visitor benches. At the end of the space hangs a half orange and half dark blue flag with a white globe at its center.
A cream text slide that reads “An Inclusive World” in green, san serif font. Paired with the text are three nude female figures. The figures have long, black hair and their bodies are made of collaged newsprint. Layered over their bodies and hair is bright, colorful paint and lettering.
An abstract illustration of a cityscape. Emerging from the center of a skyline, city traffic drives out from the base of a religious deity’s neck. The deity has blue hair and is half human, half mechanical. Its earlobes droop down to where its shoulders would be, by the weight of earrings made out of a Home Depot, and Best Buy sign. Pink, blue, and green clouds and white zigzags line the road filled with cars and yellow taxis.