Past Exhibitions - Page 11

Dr. Egon Neustadt sitting in a brown, cushioned chair. He is wearing a blue button up and gray slacks. His face is framed and lit up by a sea of glass lamps with different, colorful, mosaic patterns. Behind him is a large, blue and green, stain-glass window of a nature scene.
A graphic sketch of three artworks. On the left is a framed drawing of a hand, drawing on a piece of paper with a pencil. Above the hand is the word “ART” written out in block letters”. In the center is a grouping of protest signs about gun violence, LGBTQ+ rights and the Movement for Black Lives. On the right is an abstracted U.S. flag with a map of the United States. The map is shaded in to show the ratio of blue and red states.
An exhibition space with text and image based art along its two longest walls. In the center is two, flat screens on tripods facing back-to-back. The screens are centered on a red, oriental rug, in between two, brown leather armchairs. On the screen facing forward is a man against a white backdrop. His form is blurred and gestural in a way that implies movement.
An image of a rusted ship sitting on a sandy beach, close to the water and against a cloudy sky. The image is split between four large-scale panels installed in the middle of an exhibition floor.
A video thumbnail with a centered, black “press play” symbol in a green rounded off square. The thumbnail is of a blue-gradient tiled art installation, covered with six large multi-color circles. In front of the art installation a dark skinned man walks by.
A close up view of iridescent shards of glass. The shards of glass are in different colors and patterns. Some have stripes, some of swirls and some have spots. Each piece has a glow or sheen to it.
On a large white wall there are dynamically choreographed groups of drawings with bold black curved lines, some ending with an impact motion representing the indentation of the poke motion, while others end in a cloud-like shape representing echo and bounce. Along the curves are the words Time Owes Me Rest Again in black. The mural playfully reenacts the physical and psychological articulation of ASL , portraying “the motion of the signing hand coming into contact with the signer's body.
A photo of the Queens Museum's Gallery Five showing a large lavender wall covered in painted turquoise markings and neon sculptures. A colorful tufted artwork is hanging at the entrance of the gallery. Two sounder sculptures are presented on turquoise pedestals in the center of the room. One is a curved yellow piece with a trumpet-like top, and the other is a magenta piece with a three-foot base, two flat percussion surfaces, and a V shaped top with small metallic pieces.
In the foreground is a table surface with recycled, yogurt containers filled with paint, paint brushes, and a pitcher of water. In the background, the artist David Kearns, has his back turned and is painting a mural made up of trees transitioning into fall colors. The mural features a black-haired dog walking amongst the trees and a city scape in the background. The paint style is blotchy and fuzzy with details not completely made out.
A two-story mural made up of collaged images from the natural environment, evoking mostly green and blue tones. Layered over these images is a thick, white crosshatch (x shape) pattern. Descending from the top right is a twisting flight of stairs. At the bottom is an empty museum floor.
A black and white side profile photograph of a White woman against a plain backdrop. The woman occupies the left side of the frame. Her gaze is down and one hand up is squeezing her shoulder. Her hair is dark, full, wavy and brushed back. She has a couple freckles on her cheek, a nose ring, and a lip piercing.
Two side by side portraits of femme presenting adults. The portrait on the left is a color photograph. A cool light shines over the subject’s face which is emerging from a black background. They have blond hair with black roots, arched and painted eyebrows, and a pink lip. They are wearing studs, a nose ring, and a few gold necklaces. The portrait on the right is a black and white photograph and from the hip up. The subject has their face tilted up as if they are basking in the sun. Their eyes are closed and are wearing makeup, dangle earrings, a big jeweled necklace, and a sleeveless, printed dress. Their hair is straight and lightly framing their face.