- Manal Abu-Shaheen
- Vahap Avşar
- Jesus Benavente and Felipe Castelblanco
- Brian Caverly
- Kerry Downey
- Magali Duzant
- Golnaz Esmaili
- Mohammed Fayaz
- Kate Gilmore
- Jonah Groeneboer
- Bang Geul Han and Minna Pöllänen
- Dave Hardy
- Sylvia Hardy
- Shadi Harouni
- Janks Archive
- Robin Kang
- Kristin Lucas
- Carl Marin
- Eileen Maxson
- Melanie McLain
- Shane Mecklenburger
- Lawrence Mesich
- Freya Powell
- Xiaoshi Vivian Vivian Qin
- Alan Ruiz
- Samita Sinha and Brian Chase
- Barb Smith
- Monika Sziladi
- Alina Tenser
- Trans-Pecos with 8 Ball Community, E.S.P. TV, and Chillin Island
- Mark Tribe
- Sam Vernon
- Max Warsh
- Jennifer Williams
- An Itinerary with Notes
- Exhibition Views
- Hidden
- Watershed
- A Distant Memory Being Recalled (Queens Teens Respond)
- Overhead: A Response to Kerry Downey’s Fishing with Angela
- Sweat, Leaks, Holes: Crossing the Threshold
- PULSE: On Jonah Groeneboer’s The Potential in Waves Colliding
- Interview: Melanie McLain and Alina Tenser
- Personal Space
- Data, the Social Being, and the Social Network
- Responses from Mechanical Turk
- MAPS, DNA, AND SPAM
- Queens Internacional 2016
- Uneven Development: On Beirut and Plein Air
- A Crisis of Context
- Return to Sender
- Interview: Vahap Avşar and Shadi Harouni
- Mining Through History: The Contemporary Practices of Vahap Avşar and Shadi Harouni
- A Conversation with Shadi Harouni's The Lightest of Stones
- Directions to a Gravel Quarry
- Walk This Way
- Interview: Brian Caverly and Barb Smith
- "I drew the one that has the teeth marks..."
- BEAT IT! (Queens Teens respond)
- Moments
- Lawn Furniture
- In Between Difference, Repetition, and Original Use
- Interview: Dave Hardy and Max Warsh
- Again—and again: on the recent work of Alan Ruiz
- City of Tomorrow
- Noticing This Space
- NO PLACE FOR A MAP
- The History of the World Was with Me That Night
- What You Don't See (Queens Teens Respond)
- Interview: Allison Davis and Sam Vernon
- When You’re Smiling…The Many Faces Behind the Mask
- Interview: Jesus Benavente and Carl Marin
- The Eternal Insult
- Janking Off
- Queens Theatricality
I always tend to think back to the memories created in the past.
The good ones and the bad ones.
You tend to forget certain little details and wonder if they would make a difference or not,
Then you realize it doesn’t.
It adds on to the mystery of the missing memory piece.
As you try to put the pieces together you then wonder why you did remember those certain parts.
Were they more important than the other pieces you had forgotten?
I always tend to think back to the memories created in the past.
Thinking back to the good memories puts a grin on my face,
Wishing you could go back and relive it.
I get to replay them over and over again and if I’m lucky someone might even ask me about it,
Which makes the memory even better.
I always tend to think back to the memories created in the past.
Going back to the bad memories is risky,
You end up remembering things you actually don’t want to recall.
Sometimes a good memory could have changed into a bad one due to certain situations,
Which makes memories dangerous.
This piece was written in response to Golnaz Esmaili's installation, Untitled (2016).
Jasmine Cabrera is a senior at Gramercy Arts High School, and is a vital member of Queens Teens, Queens Museum's nationally recognized youth leadership and career development program. For Queens International 2016, she has assisted and participated in projects with Xiaoshi Vivian Vivian Qin and Mohammed Fayaz.