- Manal Abu-Shaheen
- Vahap Avşar
- Jesus Benavente and Felipe Castelblanco
- Brian Caverly
- Kerry Downey
- Magali Duzant
- Golnaz Esmaili
- Mohammed Fayaz
- Kate Gilmore
- Jonah Groeneboer
- Bang Geul Han and Minna Pöllänen
- Dave Hardy
- Sylvia Hardy
- Shadi Harouni
- Janks Archive
- Robin Kang
- Kristin Lucas
- Carl Marin
- Eileen Maxson
- Melanie McLain
- Shane Mecklenburger
- Lawrence Mesich
- Freya Powell
- Xiaoshi Vivian Vivian Qin
- Alan Ruiz
- Samita Sinha and Brian Chase
- Barb Smith
- Monika Sziladi
- Alina Tenser
- Trans-Pecos with 8 Ball Community, E.S.P. TV, and Chillin Island
- Mark Tribe
- Sam Vernon
- Max Warsh
- Jennifer Williams
The images in this series were taken during multiple walks around Corona, one of the Museum's immediate neighborhoods, in which the artist focused on residential buildings and public spaces such as playgrounds and health clinics. The collages rebuild an experience of walking through the neighborhood, reiterating the physicality of common and ornamental surfaces—bricks, grates, and cast ornamentation—in their own handmade appearance. For Warsh, heightening the repetition, compression, and density of residential space in each work through collage reflects urbanism as a condition increasingly defined by movement through digital networks of information and images, rather than physical appearances of the lived environment.
Max Warsh received his MFA from the University of Illinois at Chicago (2004) and a BA from Sarah Lawrence College (2002). He has had solo exhibitions at Longhouse Projects, New York, NY (2015) and toomer labzda, New York, NY (2013). Group exhibitions include: Graham, New York, NY (2014), Planthouse, New York, NY (2013), Shoot the Lobster, New York, NY (2012), Eli Ping, New York, NY (2012), SOFA, Austin, TX (2012), and NEW CAPITAL, Chicago, IL (2011). In 2016, his work will be featured in a 2-person exhibition at the Sirius Art Centre in Cobh, Ireland. He is a co-founder and director of the artist-run gallery Regina Rex, Ridgewood, NY.
- An Itinerary with Notes
- Exhibition Views
- Hidden
- Watershed
- A Distant Memory Being Recalled (Queens Teens Respond)
- Overhead: A Response to Kerry Downey’s Fishing with Angela
- Sweat, Leaks, Holes: Crossing the Threshold
- PULSE: On Jonah Groeneboer’s The Potential in Waves Colliding
- Interview: Melanie McLain and Alina Tenser
- Personal Space
- Data, the Social Being, and the Social Network
- Responses from Mechanical Turk
- MAPS, DNA, AND SPAM
- Queens Internacional 2016
- Uneven Development: On Beirut and Plein Air
- A Crisis of Context
- Return to Sender
- Interview: Vahap Avşar and Shadi Harouni
- Mining Through History: The Contemporary Practices of Vahap Avşar and Shadi Harouni
- A Conversation with Shadi Harouni's The Lightest of Stones
- Directions to a Gravel Quarry
- Walk This Way
- Interview: Brian Caverly and Barb Smith
- "I drew the one that has the teeth marks..."
- BEAT IT! (Queens Teens respond)
- Moments
- Lawn Furniture
- In Between Difference, Repetition, and Original Use
- Interview: Dave Hardy and Max Warsh
- Again—and again: on the recent work of Alan Ruiz
- City of Tomorrow
- Noticing This Space
- NO PLACE FOR A MAP
- The History of the World Was with Me That Night
- What You Don't See (Queens Teens Respond)
- Interview: Allison Davis and Sam Vernon
- When You’re Smiling…The Many Faces Behind the Mask
- Interview: Jesus Benavente and Carl Marin
- The Eternal Insult
- Janking Off
- Queens Theatricality