- Manal Abu-Shaheen
- Vahap Avşar
- Jesus Benavente and Felipe Castelblanco
- Brian Caverly
- Kerry Downey
- Magali Duzant
- Golnaz Esmaili
- Mohammed Fayaz
- Kate Gilmore
- Jonah Groeneboer
- Bang Geul Han and Minna Pöllänen
- Dave Hardy
- Sylvia Hardy
- Shadi Harouni
- Janks Archive
- Robin Kang
- Kristin Lucas
- Carl Marin
- Eileen Maxson
- Melanie McLain
- Shane Mecklenburger
- Lawrence Mesich
- Freya Powell
- Xiaoshi Vivian Vivian Qin
- Alan Ruiz
- Samita Sinha and Brian Chase
- Barb Smith
- Monika Sziladi
- Alina Tenser
- Trans-Pecos with 8 Ball Community, E.S.P. TV, and Chillin Island
- Mark Tribe
- Sam Vernon
- Max Warsh
- Jennifer Williams
Bang Geul Han (based in Queens, NY) and Minna Pöllänen (based in London, UK) have collaborated on Signs of Flood, an installation combining new media and hand-stitched embroidery that explores the connotations of the word “flood.” The work shifts between an international vantage point, where abstract and decontextualized media representations are propagated widely, and a far more local, imminent level, where this imagery may have an impact on individual bodies and communities.
In the video, Han, holding a banner similar to those Pöllänen produced for the exhibition, reads aloud headlines from a live feed of Internet sources such as Google News and Twitter. To mine this constant stream of information, Han has created custom software that aggregates any headlines which include the phrase “flood of…,” collecting a variety of literal or metaphorical uses of the word “flood.” The custom software gives voice to these headlines by splicing together clips drawn from a video inventory of the artist speaking thousands of pre-recorded individual words. Han’s program also responds to “weather watch” keywords: a flood warning anywhere around the world can trigger the TV meteorologist background to turn an ominous red color. The robotic and hypnotic delivery alludes to the endlessness of automated media and data streams, disconnected from the content they are reporting on.
Minna Pöllänen’s banners work in tandem with Han’s video installation, embroidered with a choreographic score of body positions pulled from social media. The slow process of hand stitching traces the body caught in action: a series of yoga poses, open water survival tactics, gestures of fleeing migrants climbing and hiding, Steve Jobs presenting a new Apple product, etc. The images on these banners evoke the schizophrenic constellation of topics we consume, edit, and respond to on a daily basis. Their symbolism distills the algorithmically delivered news stories that “flood” our social media platforms and materializes them as real actions taken on and by the body.
Minna Pöllänen received an MA in Fine Arts Photography from London College of Communication, University of Arts London (2011) and a BA in Fine Arts Photography from London College of Communication, University of Arts London (2004). Her solo work has been exhibited at Galerie Pangée, Montréal (with Bang Geul Han) (2016), Triangle Art Association, New York (2015), and Skaftfell Center for Art, Iceland (2014); and in group shows at Shonibare Guest Projects, London (2014), Kilometre of Sculpture, Estonia (2014), and A.I.R. Gallery (2013). She has received grants, awards and residencies in Finland, the UK, US, and Canada.
Bang Geul Han attended Skowhegan School of Painting and Sculpture (2007), received an MFA in Electronic Integrated Arts from New York State College of Ceramics at Alfred University (2005). She has had solo shows at Galerie Pangée, Montréal (with Minna Pöllänen) (2016), Bronx Documentary Center, Bronx, NY (2013); and A.I.R Gallery, Brooklyn, NY (2012). She has received numerous awards and residencies including the Lighthouse Works Fellowship, (2014), VCCA Social Media Artist Fellowship (2013), A.I.R. Fellowship (2011-2012), LMCC Workspace Program (2011-2012), and many others.
- An Itinerary with Notes
- Exhibition Views
- Hidden
- Watershed
- A Distant Memory Being Recalled (Queens Teens Respond)
- Overhead: A Response to Kerry Downey’s Fishing with Angela
- Sweat, Leaks, Holes: Crossing the Threshold
- PULSE: On Jonah Groeneboer’s The Potential in Waves Colliding
- Interview: Melanie McLain and Alina Tenser
- Personal Space
- Data, the Social Being, and the Social Network
- Responses from Mechanical Turk
- MAPS, DNA, AND SPAM
- Queens Internacional 2016
- Uneven Development: On Beirut and Plein Air
- A Crisis of Context
- Return to Sender
- Interview: Vahap Avşar and Shadi Harouni
- Mining Through History: The Contemporary Practices of Vahap Avşar and Shadi Harouni
- A Conversation with Shadi Harouni's The Lightest of Stones
- Directions to a Gravel Quarry
- Walk This Way
- Interview: Brian Caverly and Barb Smith
- "I drew the one that has the teeth marks..."
- BEAT IT! (Queens Teens respond)
- Moments
- Lawn Furniture
- In Between Difference, Repetition, and Original Use
- Interview: Dave Hardy and Max Warsh
- Again—and again: on the recent work of Alan Ruiz
- City of Tomorrow
- Noticing This Space
- NO PLACE FOR A MAP
- The History of the World Was with Me That Night
- What You Don't See (Queens Teens Respond)
- Interview: Allison Davis and Sam Vernon
- When You’re Smiling…The Many Faces Behind the Mask
- Interview: Jesus Benavente and Carl Marin
- The Eternal Insult
- Janking Off
- Queens Theatricality