- Manal Abu-Shaheen
- Vahap Avşar
- Jesus Benavente and Felipe Castelblanco
- Brian Caverly
- Kerry Downey
- Magali Duzant
- Golnaz Esmaili
- Mohammed Fayaz
- Kate Gilmore
- Jonah Groeneboer
- Bang Geul Han and Minna Pöllänen
- Dave Hardy
- Sylvia Hardy
- Shadi Harouni
- Janks Archive
- Robin Kang
- Kristin Lucas
- Carl Marin
- Eileen Maxson
- Melanie McLain
- Shane Mecklenburger
- Lawrence Mesich
- Freya Powell
- Xiaoshi Vivian Vivian Qin
- Alan Ruiz
- Samita Sinha and Brian Chase
- Barb Smith
- Monika Sziladi
- Alina Tenser
- Trans-Pecos with 8 Ball Community, E.S.P. TV, and Chillin Island
- Mark Tribe
- Sam Vernon
- Max Warsh
- Jennifer Williams

Omniscience and Oblivion, 2015 , audio installation; 48:22 min. Courtesy the artist.


Reading Frequencies: Omniscience, performance, June 12, 2016. Courtesy the artist and her collaborators. Photo: QM Curatorial Staff.
Omniscience and Oblivion explores the way individual memories can speak to shared experience. For the project, Powell created an audio archive where participants were invited to anonymously share, via an online form, one memory they would like to keep forever and one they would like to let go. A range of individuals were recorded each reading a stranger’s memories. In the audio installation, each memory is therefore mediated: by the writer, by the reader, and by the artist’s presentation.
Excerpt from Powell’s open call for participants:
The river Lethe in Greek mythology is the river of un-mindfulness. It was one of five rivers in the underworld of Hades. Known for giving the gift of oblivion, all of those who drank from it experienced complete forgetfulness. After drinking they were not to remember their past lives when reincarnated, they would be born anew. The river Mnemosyne was the counterpart to Lethe. Mnemosyne offered to those who drank from it the ability to remember their past lives, forever; infinite memory.
Initiates were offered the choice after death to drink from Lethe or Mnemosyne. Their choice was between omniscience and oblivion; to forever remember or to forever forget.
Performance:
Reading Frequencies: Omniscience
June 12th, 4pm
A hearing-accessible reading performance that draws connections between individual and collective memory through the frequency of word repetition. The performance involves 22 performers who read through a list of words derived from the transcript of Omniscience and Oblivion. The words of the text have been ordered in terms of frequency of occurrence. Starting with the words just used once to the word used most often (22 times). As the word use increases so do the number of readers, resulting in 22 readers speaking the final word in unison.
Freya Powell received an MFA from Hunter College, New York, NY (2012) and a BA from Bard College, Annandale-On-Hudson, NY (2006). Her work has been exhibited in solo shows at Arts Santa Monica, Barcelona, Spain (2014) and Emerson Dorsch, Miami, FL (2013). She has participated in group shows including Socrates Sculpture Park, Long Island City, NY (2015), the International Center of Photography Library, New York, NY (2014), #1 Cartagena: the First International Biennale of Art, Cartagena de India, Colombia (2014), and the Bronx Museum, Bronx, NY (2013). Her work is in the collections of the New York Public Library; Bard College; the School of the Art Institute of Chicago; and Hunter College. She is currently an adjunct instructor at Cooper Union, New York, NY, and an assistant adjunct lecturer CUNY- Queensborough Community College, Bayside, NY.
- An Itinerary with Notes
- Exhibition Views
- Hidden
- Watershed
- A Distant Memory Being Recalled (Queens Teens Respond)
- Overhead: A Response to Kerry Downey’s Fishing with Angela
- Sweat, Leaks, Holes: Crossing the Threshold
- PULSE: On Jonah Groeneboer’s The Potential in Waves Colliding
- Interview: Melanie McLain and Alina Tenser
- Personal Space
- Data, the Social Being, and the Social Network
- Responses from Mechanical Turk
- MAPS, DNA, AND SPAM
- Queens Internacional 2016
- Uneven Development: On Beirut and Plein Air
- A Crisis of Context
- Return to Sender
- Interview: Vahap Avşar and Shadi Harouni
- Mining Through History: The Contemporary Practices of Vahap Avşar and Shadi Harouni
- A Conversation with Shadi Harouni's The Lightest of Stones
- Directions to a Gravel Quarry
- Walk This Way
- Interview: Brian Caverly and Barb Smith
- "I drew the one that has the teeth marks..."
- BEAT IT! (Queens Teens respond)
- Moments
- Lawn Furniture
- In Between Difference, Repetition, and Original Use
- Interview: Dave Hardy and Max Warsh
- Again—and again: on the recent work of Alan Ruiz
- City of Tomorrow
- Noticing This Space
- NO PLACE FOR A MAP
- The History of the World Was with Me That Night
- What You Don't See (Queens Teens Respond)
- Interview: Allison Davis and Sam Vernon
- When You’re Smiling…The Many Faces Behind the Mask
- Interview: Jesus Benavente and Carl Marin
- The Eternal Insult
- Janking Off
- Queens Theatricality