- Manal Abu-Shaheen
- Vahap Avşar
- Jesus Benavente and Felipe Castelblanco
- Brian Caverly
- Kerry Downey
- Magali Duzant
- Golnaz Esmaili
- Mohammed Fayaz
- Kate Gilmore
- Jonah Groeneboer
- Bang Geul Han and Minna Pöllänen
- Dave Hardy
- Sylvia Hardy
- Shadi Harouni
- Janks Archive
- Robin Kang
- Kristin Lucas
- Carl Marin
- Eileen Maxson
- Melanie McLain
- Shane Mecklenburger
- Lawrence Mesich
- Freya Powell
- Xiaoshi Vivian Vivian Qin
- Alan Ruiz
- Samita Sinha and Brian Chase
- Barb Smith
- Monika Sziladi
- Alina Tenser
- Trans-Pecos with 8 Ball Community, E.S.P. TV, and Chillin Island
- Mark Tribe
- Sam Vernon
- Max Warsh
- Jennifer Williams

Beat It (still), 2014, single channel video with sound; 15:40 min. Courtesy the artist.

Beat It, 2014, single channel video with sound; 15:40 min. Courtesy the artist.
Kate Gilmore is widely known for her physically demanding and darkly humorous videos that explore themes of female identity, displacement, desire, and defeat. She is most often the sole protagonist in her performance-based videos, which involve the artist subjecting herself to daunting and uncomfortable tasks of simultaneous creation and destruction. In Beat It, on view for the first time in New York on the occasion of Queens International 2016, the camera looks through a circular opening placed above the location of the action as we first only hear a repeated striking sound on an unseen wood and drywall structure. Gradually, a circular frame allowing the sight of the space begins to be filled up with torn pieces screenprinted with the words “beat it”. Midway into the video, Gilmore herself breaks through and joins the mess inside, pushing fragments through the interior and upending the viewer’s bird’s eye perspective on the set. As she lifts and pushes the wall fragments through this opening, she is obscured again, leaving a collage that repeats the phrase “beat it” in her place.
Kate Gilmore received an MFA from the School of Visual Arts (2002) and a BA from Bates College (1997). She has participated in the 2010 Whitney Biennial, Whitney Museum of American Art, New York, The Moscow Biennial, Moscow, Russia (2011), PS1 Greater New York, MoMA/PS1, New York, NY (2005 and 2010) in addition to solo exhibitions at The Aldrich Contemporary Art Museum, Ridgefield, Connecticut (2014), MoCA Cleveland, Cleveland, OH (2013), Public Art Fund, Bryant Park, New York, NY (2010), and Institute of Contemporary Art, Philadelphia, PA (2008). She has been the recipient of numerous awards such as the Art Prize/ Art Juried Award, Grand Rapids, Michigan (2015), Rauschenberg Residency Award, Captiva, FL (2014), Rome Prize from the American Academy in Rome (2007/2008), The Louis Comfort Tiffany Foundation Award, New York (2009), Art Matters Grant, New York (2012), Lower Manhattan Cultural Council Award for Artistic Excellence, New York (2010), the Franklin Furnace Fund for Performance, New York, NY (2006), and the New York Foundation for The Arts Fellowship (2012 and 2005). Her work is in the collection of the Museum of Modern Art; Brooklyn Museum; Whitney Museum of American Art, New York; Museum of Fine Arts, Boston, MA; San Francisco Museum of Modern Art, San Francisco, CA; Rose Art Museum, Waltham, MA; Indianapolis Museum of Art, Indiana, IN; and Museum of Contemporary Art, Chicago, IL.
- An Itinerary with Notes
- Exhibition Views
- Hidden
- Watershed
- A Distant Memory Being Recalled (Queens Teens Respond)
- Overhead: A Response to Kerry Downey’s Fishing with Angela
- Sweat, Leaks, Holes: Crossing the Threshold
- PULSE: On Jonah Groeneboer’s The Potential in Waves Colliding
- Interview: Melanie McLain and Alina Tenser
- Personal Space
- Data, the Social Being, and the Social Network
- Responses from Mechanical Turk
- MAPS, DNA, AND SPAM
- Queens Internacional 2016
- Uneven Development: On Beirut and Plein Air
- A Crisis of Context
- Return to Sender
- Interview: Vahap Avşar and Shadi Harouni
- Mining Through History: The Contemporary Practices of Vahap Avşar and Shadi Harouni
- A Conversation with Shadi Harouni's The Lightest of Stones
- Directions to a Gravel Quarry
- Walk This Way
- Interview: Brian Caverly and Barb Smith
- "I drew the one that has the teeth marks..."
- BEAT IT! (Queens Teens respond)
- Moments
- Lawn Furniture
- In Between Difference, Repetition, and Original Use
- Interview: Dave Hardy and Max Warsh
- Again—and again: on the recent work of Alan Ruiz
- City of Tomorrow
- Noticing This Space
- NO PLACE FOR A MAP
- The History of the World Was with Me That Night
- What You Don't See (Queens Teens Respond)
- Interview: Allison Davis and Sam Vernon
- When You’re Smiling…The Many Faces Behind the Mask
- Interview: Jesus Benavente and Carl Marin
- The Eternal Insult
- Janking Off
- Queens Theatricality