- Manal Abu-Shaheen
- Vahap Avşar
- Jesus Benavente and Felipe Castelblanco
- Brian Caverly
- Kerry Downey
- Magali Duzant
- Golnaz Esmaili
- Mohammed Fayaz
- Kate Gilmore
- Jonah Groeneboer
- Bang Geul Han and Minna Pöllänen
- Dave Hardy
- Sylvia Hardy
- Shadi Harouni
- Janks Archive
- Robin Kang
- Kristin Lucas
- Carl Marin
- Eileen Maxson
- Melanie McLain
- Shane Mecklenburger
- Lawrence Mesich
- Freya Powell
- Xiaoshi Vivian Vivian Qin
- Alan Ruiz
- Samita Sinha and Brian Chase
- Barb Smith
- Monika Sziladi
- Alina Tenser
- Trans-Pecos with 8 Ball Community, E.S.P. TV, and Chillin Island
- Mark Tribe
- Sam Vernon
- Max Warsh
- Jennifer Williams
Tendered Currency (2012) consists of three laboratory-generated diamonds created using carbon extracted from materials the artist considers culturally charged: gunpowder, an armadillo (the state animal of Texas) slain by car, and 32 pages from the film script for Superman III (1983).
The installation explores systems of perceived value, labor, and desire. The three diamonds were created using a High Pressure High Temperature (HPHT) gem manufacturing process and each diamond has a microscopic laser-inscription with a unique identifier, carbon source, artist name, and date. The diamonds are accompanied by custom hand-crafted glass bell jars and ephemera evidencing their creation process, along with certificates of appraisal and authenticity.
Both diamonds and art are symbols of scarcity, emotion, investment, luxury, taste, and exertion; both economies rely on cheap labor, careful manipulation of supply, and manufactured demand within insulated markets. As capital moves with increasing velocity, value itself has become an increasingly variable and subjective denominator in society, influencing the definition of art, and what it might obtain in both cultural and economic terms. Tendered Currency collaborates with these systems to investigate what we value and how we value it.
Shane Mecklenburger is an intermedia artist exploring systems of manufactured value, simulation, desire and investment. He received an MFA from the School of the Art Institute of Chicago (2009) and is currently Assistant Professor at the University of Massachusetts, Amherst in the Department of Art. His installation, sculpture, video and new media projects have exhibited at the Victoria and Albert Museum, London, UK (2015), Eyebeam, New York, NY (2014), The Columbus Museum of Art, Columbus, OH (2014), Bitforms Gallery, New York, NY (2013), Phoenix Art Museum, AZ (2013, The Dallas Museum of Art, TX (2012), El Centro Cultural Paso Del Norte, Juarez, Mexico (2011), and the El Paso Museum of Art, El Paso, TX (2010).
- An Itinerary with Notes
- Exhibition Views
- Hidden
- Watershed
- A Distant Memory Being Recalled (Queens Teens Respond)
- Overhead: A Response to Kerry Downey’s Fishing with Angela
- Sweat, Leaks, Holes: Crossing the Threshold
- PULSE: On Jonah Groeneboer’s The Potential in Waves Colliding
- Interview: Melanie McLain and Alina Tenser
- Personal Space
- Data, the Social Being, and the Social Network
- Responses from Mechanical Turk
- MAPS, DNA, AND SPAM
- Queens Internacional 2016
- Uneven Development: On Beirut and Plein Air
- A Crisis of Context
- Return to Sender
- Interview: Vahap Avşar and Shadi Harouni
- Mining Through History: The Contemporary Practices of Vahap Avşar and Shadi Harouni
- A Conversation with Shadi Harouni's The Lightest of Stones
- Directions to a Gravel Quarry
- Walk This Way
- Interview: Brian Caverly and Barb Smith
- "I drew the one that has the teeth marks..."
- BEAT IT! (Queens Teens respond)
- Moments
- Lawn Furniture
- In Between Difference, Repetition, and Original Use
- Interview: Dave Hardy and Max Warsh
- Again—and again: on the recent work of Alan Ruiz
- City of Tomorrow
- Noticing This Space
- NO PLACE FOR A MAP
- The History of the World Was with Me That Night
- What You Don't See (Queens Teens Respond)
- Interview: Allison Davis and Sam Vernon
- When You’re Smiling…The Many Faces Behind the Mask
- Interview: Jesus Benavente and Carl Marin
- The Eternal Insult
- Janking Off
- Queens Theatricality