Exhibitions Archive - Page 7

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A view of a bank lobby through its glass entrance. The glass has a white, square decal repeated in two rows and its banking hours listed in tiny font. In the center of its tiled floor is a sculpture. On the back wall of the lobby is an office space with two blinds drawn half open and a front desk, booth with dark, wood paneling.
Exhibition 2017

Dave Hardy
Public Setting
A close-up of a person’s calf against a light blue background. The person has brown skin and a rubber mold of an abstracted shoe sole around their ankle
Exhibition 2017

Set on Freedom
A group of adults stand in the middle of a street, holding up a pink banner that reads “Queens Lesbian & Gay Pride Committee, A Family of Pride” in black, block lettering. Behind them are more adults participating in the parade and holding signs that read “Family”, Neighbors”, “Friends”, and “Out and Proud” accompanied with symbols for those phrases.
Exhibition 2017

The Lavender Line: Coming Out in Queens
A black and white photograph of a Latinx boy standing in the middle of a dirt road. He is wearing dark clothing and a cap. On the right side of the road is a sign that reads “Oak Flat Campground, Tonto National Forest”. Taped on the sign is another sign that reads “Apache Land!!!” in spray paint.
Exhibition 2017

Protecting Our Nature and Our Sacred Land: Images of Oak Flat
A print of stylized water drops on a white background. The first layer is in pink and the second layer is in blue and off centered.
Exhibition 2017

Commonwealth: Water for All
Two hands hold a server in their hands. Next to them, on a table surface covered with a navy-blue, plaid table cloth, is a worn out package covered in tan packaging tape.
Exhibition 2017

Julia Weist with Nestor Siré: 17.(SEPT) [By WeistSiréPC]™
An image of a rusted ship sitting on a sandy beach, close to the water and against a cloudy sky. The image is split between four large-scale panels installed in the middle of an exhibition floor.
Exhibition 2017

Patty Chang
The Wandering Lake
An exhibition space with a collaged, ring-shaped decal on the far left wall. Within the ring is the show title which reads “It’s About Us” and a block of wall text underneath. In the center of the floor is a white, center column housing a monitor, shelves, pamphlets, and small objects. Behind the center column is a set of podiums displaying burnt sienna and white colored sculptures.
Exhibition 2016

It’s About Us: A New New Yorkers Exhibition
A black graphic with collaged, white, stylized images of people at protests and their signs. The protest signs include phrases like “come together, “the struggle continues”, and “la revolución es poder para el pueblo”.
Exhibition 2017

Marinella Senatore
Piazza Universale/Social Stages
An exhibition space with hardwood floors embedded in the center of the floor. Raised above the hardwood floors is a set of four-sided blinds. The hardwood floors are covered with overlaying and multi-color sports field diagrams. Raised up within the blinds are four banners with a rainbow, checkered pattern.
Exhibition 2017

Ronny Quevedo
no hay medio tiempo / there is no halftime
A side profile portrait of a Black woman in black and white. She is posing against a white backdrop and in a seated posture. One hand is on her hip and the other is on her thigh, both clearly displaying a collection of bangles and rings. She is wearing black pants, a sleeveless top, a chain necklace and dangle earrings. Her hair is worn in a close cut shave. On her right bicep is a black panther tattoo.
Exhibition 2016

The Black Panthers: Portraits from an Unfinished Revolution
Twelve adults of different genders and racial backgrounds pose for a group portrait in a swanky living room scene. The adults are dressed in suits and formal gowns. The room has black and white striped floors, a number of lounge chairs and sofas, framed art, diamond chandeliers and crown molding.
Exhibition 2017

Nine
On a white exhibition wall is a photograph of a white woman with short, brown, curly hair, wearing a black dress who is holding up a piece of paper in one hand. She is mimicking a painted portrait of man holding the same pose. To the right of the photograph is a mosaic patterned sheet of paper made up of tiny, multi-colored squares. The paper is in an abstract shape and has some of its squares missing.
Exhibition 2017

Anna K.E.
Profound Approach and Easy Outcome
A creek site where four women are engaged in research. The creek is a shimmery brown and sprawls out from the top right corner. There are small rock boulders and dense vegetation at the borders. Three of the women are crouched in the creek with their attention below the shallow water's surface. The fourth is up above with a clear view of the rest of the group. They are all dressed casually. Two of them are wearing floppy hats and three of them have bags strapped over their shoulders.
Exhibition 2016

Chance Ecologies: Queens
An architectural rendering of a futuristic pavilion set in a park. The main part of the pavilion has a white, bulbous shape and is gracing the sky on white cylindrical columns, planted in the ground in a circle. Within the pavilion is a group of mature trees and a gridded glass sealing that mimics the topography of the tree canopy. Down at the ground are tiny specs of people that demonstrate the grand scale of the pavilion.
Exhibition 2016

Pavilion Futures: The New York State Pavilion Ideas Competition
A white exhibition wall with milk crates hanging in a cross shape. The outer facing surface of the crates have been spray painted, starting from the center and radiating out, yellow, orange, white, blue, green, and yellow again. Around the cross are paper cut out images of community members and famous people wearing La Calavera face paint. Propped up on the milk crate cross is a black, round sign with a brown power fist and the phrase “Corazón Indígena Por Las Vida Negras”. Below, at the gallery floor, is a row of chakra candles in different colors.
Exhibition 2016

Joining Struggles IMI Corona Exhibition 2015-2016
Exhibition 2010

Luiz Márquez
Luis Márquez in the World of Tomorrow: Mexican Identity and the 1939-40 New York World’s Fair
The artist Mierle Laderman in conversation with a Sanitation worker, standing beside a Sanitation truck. Mierle is a White woman with thick, long, blonde hair. She is wearing teal pants, an orange shirt, and a black, zip-up vest. The Sanitation worker is Black and dressed in a gray uniform. The truck is white and covered in graffiti.
Exhibition 2016

Mierle Laderman Ukeles
Maintenance Art
A two story mural of a blob made out of polygons in different, shapes, sizes, and colors. Down at the floor of the exhibition space are adults viewing the mural. Descending from the top right is a twisting flight of stairs.
Exhibition 2016

Miriam Ghani
The Garden of Forked Tongues
Exhibition 2016

Duke Riley
That’s What She Said
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