Exhibitions Archive - Page 4

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In the middle is a wooden table with two square wooden benches on both sides. On top of the wooden table are folded maps and a sewage game. To the right is a fake golden toilet across from a vitrine with objects found on Flushing Bay. There is a sign reading Flushing Creek with an arrow next to the vitrine of objects. To the left is a map of Flushing Bay and a table vitrine in front of it with a wooden bench.
Exhibition 2021

Guardians of Flushing Bay
Field Station for Flushing Bay and Flushing Creek
Five colorful banners hang from the ceiling reading Proposal for a 28th Amendment?” And “Is it possible to amend an unequal system? in the five most spoken languages in Corona, NY. Below the banners, four visitors stand and lay on the five wooden colorful soapboxes in different arrangements.
Exhibition 2021

Alex Strada & Tali Keren
Proposal for a 28th Amendment? Is it Possible to Amend an Unequal System?
On the left side, there is a large projected still from Gabo Camnitzer’s film, a Picture-in-Picture view of archival classroom materials and blueprints. In the background to the right of the projection, a stack of blue and white posters are on the floor. To the right of the posters, facing the projection, are nine small public school chairs in different colors and materials. Behind the chairs is a large wall text of the exhibit, and to the right is an empty doorway emanating bright green light.
Exhibition 2021

Gabo Camnitzer
Glorious Wound
A blue wall has small white wall text on the left. In the middle, a large monitor with a blue water droplet displays ways to say 'water' across languages in the Algonquian language family. There is a large white wall text on the right: 'Tecumseh Ceaser Water Connects Us All'
Exhibition 2021

Tecumseh Ceaser
Water Connects Us All
In the center are two TV’s back to back attached to a stand on a decorative square rug. On the left, posters of black and white images from the June 4th, 2020 Bronx protests with a variety of slogans. On the right, mixed medium drawings in red and black pinned to the wall.
Exhibition 2021

Julian Louis Phillips
The Strategic Response Group (TSRG)
Paintings and a collaborative scrapbook hang on a white gallery wall. On the left, a small painting of Mount Rushmore at sunset, decorated with political protest signs, trees, and onlookers. On the left are two paintings with pink text: Am I Lovely? The left painting shows South Asian women of different brown complexions with white t-shirts and a white skincare product on their cheeks. The right painting shows two women in wrapped garments, gold facial jewelry, and head coverings. To the right, an interactive art piece asks the viewer to paste cut-out magazine clippings that explore colorism.
Exhibition 2021

Sakhi for South Asian Women
Inherent Power
On top of a black pedestal, a glass box with metal vents houses a large jasmine plant bathed in pink light. On either side, a rectangle of semi-transparent sheet with a green maze structure is held up by unfinished wood.
Exhibition 2021

Utsa Hazarika
Living As A Nation
White text on black background that reads Year of Uncertainty, YoU, Phase 2, Nov to Dec 2021, Engage and Experience, Involucrarse y Experimentar.
Exhibition 2021

Year of Uncertainty (YoU) Phase II: Engage & Experience
A night time scene of an outdoor dining table lined with folding chairs. Hiding the view of the table's surface, are water jars holding bouquets of wild green plants.
Exhibition 2021

Wet Networks
A black and white photo of a group of women of color standing in a circle. They are standing on a park lawn arms length apart from one another. Behind them are tall trees and an above ground railway.
Exhibition 2021

Malikah: Building Power and Safety for Our Communities” and “TransLatinx Resilience against COVID-19”
A colorful mural on the sidewall of the museum portrays six Black Trans Femme icons. Marsha P.Johnson, Miss Major Griffin Gracy, Cayenne Doroshow, Qween Jean, Tourmaline, and Gia Love. The first person prominently stands out on the left side in a vibrant blue dress draped across the shoulder, while the person next to them wears a brown wrap skirt and ruffle blue top with one arm up in a fist. In the center is a person in a strapless bright orange dress holding it at the corner as they walk with an orange butterfly in their afro textured hair and music notes leave their lips. The next person is wearing a short blue skirt with a red top with a fist also in the air holding hands with a shadow of a smaller person. The last two people are, a person wearing a pink skirt with a white top in a motorized wheelchair and another person standing over their shoulder wearing yellow.
Exhibition Current

Glori Tuitt
Black, Trans, & Alive (Qweens Song)
White text on black background that reads Year of Uncertainty, YoU, Phase , Oct 2021, Participate and Build, Participar y Construir.
Exhibition 2021

Year of Uncertainty (YoU) Phase I: Participate & Build
Exhibition 2021

Ambitious Slogans and Colorful Promises: The 1964-1965 New York World’s Fair
Exhibition 2020

Ulrike Müller
The Conference of the Animals
Exhibition 2011

Corky Lee
Asian Pacifically New York: Corky Lee Photographs
Exhibition 2021

Asif Mian
RAF: Prosthetic Location
On the Facade of the Museum is a three part banner in yellow with the phrase written in black ink, Dear Service Worker, Thank you for keeping NYC alive! For forever… There is a forward arrow between the words for and forever. The top of the building says Queens Museum. All of this is set below clouds and blue skies.
Exhibition 2020

Mierle Laderman Ukeles
For ⟶ forever…
Exhibition 2020

Ridgewood Reservoir for the 21st Century
Exhibition 2020

Ulrike Müller and Amy Zion
The Conference of the Animals
Exhibition 2020

After the Plaster Foundation, or, “Where can we live?”
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