Exhibitions Archive - Page 5

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Five colorful banners hang from the ceiling reading Proposal for a 28th Amendment?” And “Is it possible to amend an unequal system? in the five most spoken languages in Corona, NY. Below the banners, four visitors stand and lay on the five wooden colorful soapboxes in different arrangements.
Exhibition 2021

Alex Strada & Tali Keren
Proposal for a 28th Amendment? Is it Possible to Amend an Unequal System?
An exhibition space with and assortment of classroom chairs arranged in a 3 x 3 square. The chairs are all facing an exhibition wall. On that wall is a projection of class in session overlayed on a back and white design sketch of classroom furniture.
Exhibition 2021

Gabo Camnitzer
Glorious Wound
A blue wall has small white wall text on the left. In the middle, a large monitor with a blue water droplet displays ways to say 'water' across languages in the Algonquian language family. There is a large white wall text on the right: 'Tecumseh Ceaser Water Connects Us All'
Exhibition 2021

Tecumseh Ceaser
Water Connects Us All
An exhibition space with text and image based art along its two longest walls. In the center is two, flat screens on tripods facing back-to-back. The screens are centered on a red, oriental rug, in between two, brown leather armchairs. On the screen facing forward is a man against a white backdrop. His form is blurred and gestural in a way that implies movement.
Exhibition 2021

Julian Louis Phillips
The Strategic Response Group (TSRG)
On a white exhibition wall you find two art pieces. The piece on the left is a small acrylic painting of tourists visiting Mount Rushmore. On the right is a tryptic of paintings. The first two are on stretched canvas of the same size and the third is on a larger piece of canvas. All three of them have the phrase “am I lovely” in pink, bubbly letters. The first two are depictions of South Asian women, dressed in traditional garments applying or holding bleaching cream and the third shares images and text about beauty standards.
Exhibition 2021

Sakhi for South Asian Women
Inherent Power
On a black podium a clear plexiglass box houses a plant growing out of a thin layer of soil. The plexiglass box has four metal vents and UV lights feeding the plant from above. The UV light in the box is bright and reflecting pinkish-purple light into the room. Framing the box is two sheets of lime-green plexiglass that have a cut-out mosaic pattern.
Exhibition 2021

Utsa Hazarika
Living As A Nation
A black, title slide with four pieces of white text. The text shifts orientation from horizontal to vertical, along a “s” shape line on its side. From left to right the text reads: Year of Uncertainty, You, Phase Two, November through December 2021, Engage & Experience, Involucrarse y Experimentar, Queens Museum.
Exhibition 2021

Year of Uncertainty (YoU) Phase II: Engage & Experience
A night time scene of an outdoor dining table lined with folding chairs. Hiding the view of the table's surface, are water jars holding bouquets of wild green plants.
Exhibition 2021

Wet Networks
A black and white photo of a group of women of color standing in a circle. They are standing on a park lawn arms length apart from one another. Behind them are tall trees and an above ground railway.
Exhibition 2021

Malikah: Building Power and Safety for Our Communities” and “TransLatinx Resilience against COVID-19”
A colorful mural on the sidewall of the museum portrays six Black Trans Femme icons. Marsha P.Johnson, Miss Major Griffin Gracy, Cayenne Doroshow, Qween Jean, Tourmaline, and Gia Love. The first person prominently stands out on the left side in a vibrant blue dress draped across the shoulder, while the person next to them wears a brown wrap skirt and ruffle blue top with one arm up in a fist. In the center is a person in a strapless bright orange dress holding it at the corner as they walk with an orange butterfly in their afro textured hair and music notes leave their lips. The next person is wearing a short blue skirt with a red top with a fist also in the air holding hands with a shadow of a smaller person. The last two people are, a person wearing a pink skirt with a white top in a motorized wheelchair and another person standing over their shoulder wearing yellow.
Exhibition Current

Glori Tuitt
Black, Trans, & Alive (Qweens Song)
A black, title slide with four pieces of white text. The text shifts orientation from horizontal to vertical, along a “s” shape line on its side. From left to right the text reads: Year of Uncertainty, You, Phases One, October 2021, Participate & Build, Participate 7 Construir, Queens Museum.
Exhibition 2021

Year of Uncertainty (YoU) Phase I: Participate & Build
A narrow exhibition space with white walls and hardwood floors. Along the two walls are series of two dimensional works. Spread out on the floor is two display cases and two visitor benches. At the end of the space hangs a half orange and half dark blue flag with a white globe at its center.
Exhibition 2021

Ambitious Slogans and Colorful Promises: The 1964-1965 New York World’s Fair
A two-story mural of abstracted animals in pastel and earth tones. At the bottom left of the mural is row of artwork on display. Descending from the top right is a twisting flight of stairs. At the bottom is an empty museum floor.
Exhibition 2020

Ulrike Müller
The Conference of the Animals
Exhibition 2011

Corky Lee
Asian Pacifically New York: Corky Lee Photographs
A close up of a collage with a busy composition. The background is white with a lot of material layered on top. The materials include a handwritten report in black ink, several forensic rulers in the metric system, tiny printed surveillance video stills, of a people walking, and separated red and blue fabric.
Exhibition 2021

Asif Mian
RAF: Prosthetic Location
Installed on the facade of the Queens Museum is a yellow, three part banner with the phrase “Dear Service Worker, “Thank you for keeping NYC alive!” for → forever…”, written in black ink. At the top of the building is a sign that reads “Queens Museum”.
Exhibition 2020

Mierle Laderman Ukeles
For ⟶ forever…
A water reservoir surrounded by a forest of bare trees. The water is a pristine, dark blue. In the background is the skyline of New York City against a cloudy blue sky.
Exhibition 2020

Ridgewood Reservoir for the 21st Century
A corner view of an exhibition space. Colorful two-dimensional works, framed with white mat board, are installed on the corner wall. Against the longer wall is a gray, display table with more colorful, two-dimensional artworks on display beneath a sheet of glass.
Exhibition 2020

Ulrike Müller and Amy Zion
The Conference of the Animals
A four-sided set of blinds that take up the majority of an exhibition floor. The blinds are hanging from the ceiling and are raised to reveal a rectangular section of hardwood floor embedded into the exhibition floor. On the hardwood floors is a round, black rug with white plastic chairs arranged in a circle. In the center of the chairs is a cylindrical stand displaying several monitors.
Exhibition 2020

After the Plaster Foundation, or, “Where can we live?”
A group of Latinx women and children gathered in a park pathway. At the center, a few of the women are holding up a red-orange banner with the phrase “La Vida Es Bonita” embroidered with blue, green, and purple thread. Towards the right is a woman and child proudly holding up matching light blue pillows with colorful, floral embroidered patterns.
Exhibition 2019

La Vida es Bonita / Life is Beautiful
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