Exhibitions Archive - Page 5

A close up of a collage with a busy composition. The background is white with a lot of material layered on top. The materials include a handwritten report in black ink, several forensic rulers in the metric system, tiny printed surveillance video stills, of a people walking, and separated red and blue fabric.
Installed on the facade of the Queens Museum is a yellow, three part banner with the phrase “Dear Service Worker, “Thank you for keeping NYC alive!” for → forever…”, written in black ink. At the top of the building is a sign that reads “Queens Museum”.
A water reservoir surrounded by a forest of bare trees. The water is a pristine, dark blue. In the background is the skyline of New York City against a cloudy blue sky.
A corner view of an exhibition space. Colorful two-dimensional works, framed with white mat board, are installed on the corner wall. Against the longer wall is a gray, display table with more colorful, two-dimensional artworks on display beneath a sheet of glass.
A four-sided set of blinds that take up the majority of an exhibition floor. The blinds are hanging from the ceiling and are raised to reveal a rectangular section of hardwood floor embedded into the exhibition floor. On the hardwood floors is a round, black rug with white plastic chairs arranged in a circle. In the center of the chairs is a cylindrical stand displaying several monitors.
A group of Latinx women and children gathered in a park pathway. At the center, a few of the women are holding up a red-orange banner with the phrase “La Vida Es Bonita” embroidered with blue, green, and purple thread. Towards the right is a woman and child proudly holding up matching light blue pillows with colorful, floral embroidered patterns.
A four-sided set of blinds that take up the majority of an exhibition floor. The blinds are hanging from the ceiling and are raised to reveal a rectangular, red carpet embedded into the exhibition floor. Spread out on the carpet is a few fiber arts sculptures made of salvaged denim. Visitors of different ages are laying on and nestled into the sculptures. On the perimeter of the red carpet is a series of floor-to-ceiling curtains, made out of salvaged t-shirts stitched together.
Three immigrant women stand in front of a red backdrop with their faces turned away. Each of them are wearing yellow cleaning gloves and are holding a power fist above their heads. On the back of their matching green t-shirts is a yellow apple with the words “Apple Eco cleaning co-op”circling the apple and sitting within a thin yellow circle. Below the circle, in the same yellow is the Apple Eco cleaning co-op’s email and phone number.
A square quilt made up of 64 smaller squares patches and a thin white perimeter. The first square, on the top left, has the words “Memories Migration Common Thread” embroidered on a white patch with black thread. Each of the other patches are made up of different colors with either abstract shapes, letters, or motifs.
A map of New York City illustrating the city block grid. Spread across the five boroughs are lime green dots with varying diameters. Connecting a number of dots are curved red lines. Overlayed on the map is a pixelated image of a person crouching down with their attention towards the ground.
A car dashboard view, at sunset, on a three lane highway. The sky is clear and fades from blue to a soft yellow at the horizon. The road is also relatively clear with a few cars at a distance. Overlayed on the view is the date and time in the bottom, left corner and a magenta laser, target designator.
A close up view of iridescent shards of glass. The shards of glass are in different colors and patterns. Some have stripes, some of swirls and some have spots. Each piece has a glow or sheen to it.
A wooden surface with a collection of items spread out, including an open spread of a book, photocopied book pages, a pamphlet, watercolored pages, and color photographs of nature scenes and grass.
A to scale mock up of a sculpture installation in Times Square. Transparent paper has been laid over a color photograph of Times Square and gridded lines have been draw on in pencil to perfect the scale of a sculpture. The sculpture is of a woman dressed in 19th century style clothing. In front of the sculpture is a sketch of a man view the public art.
An immigrant woman stands in the middle of a street in Chinatown. Her gaze is up towards the sunlight and her hands are placed confidently on her hips. She is wearing a teal, pleated, sleeveless blouse, a grey skirt, and grey cardigan with a hood partly draped over her head. Behind her is a number of street signs in English and Chinese.