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Discover all exhibitions at the Museum on December 7, 2014

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A black and white photograph of Louis Armstrong cheesin’ his pearly whites. His gaze is towards another camera lens. Behind him is a row of police officers. Together, with a crowd of onlookers, they are captured standing. While the police officers are on the curb, Louie is crouching up out of a parked convertible, filled with seated passengers.

Ambassador Satchmo at the World’s Fair An installation in the Museum Café

06.29.14 – 01.19.15

An abstract illustration of a cityscape. Emerging from the center of a skyline, city traffic drives out from the base of a religious deity’s neck. The deity has blue hair and is half human, half mechanical. Its earlobes droop down to where its shoulders would be, by the weight of earrings made out of a Home Depot, and Best Buy sign. Pink, blue, and green clouds and white zigzags line the road filled with cars and yellow taxis.

Anonymous
Anonymous: Contemporary Tibetan Art

09.21.14 – 01.04.15

A black and white photograph of a white male, magician. He is standing on a platform and dressed in a tailcoat. In one hand he has a magic stick pointing towards his other hand, holding a top hat. In the background is Queens and the pavilions for the New York Fairs.

Behind the Curtain: Collecting the New York Fairs

07.27.14 – 01.31.16

A sculpture installation on a grayish-brown exhibition floor. The installation is made up of construction materials including thin pieces of wood, a concrete wall, metal pipes and fencing. The materials are loosely linked together to create uncontained spaces and walkways.

Jewyo Rhii
Commonly Newcomer

11.01.14 – 02.08.15

An illustration of a long, skinny, wooden table that stretches the entire composition. Seated in the center is the Dalai Lama attended by 6 monks on each side. His center position is reemphasized by their gazes. The illustration is textured by tiny stippling. Behind the monks, dressed in colorful garb, is a golden yellow structure filled with tiny statues of deities.

Kora: A Meditation on Pilgrimage

11.01.14 – 01.04.15

An exhibition room with a giant sculpture of a male head on a black stand. The sculpture is black with large specs of color marbled in. Behind the sculpture is a wooden bench, placed in front of two framed illustrations of the same head in black.

Richard Dupont
Object Ritual

05.19.14 – 12.28.14

The entrance to the Queens Museum against a blue, day-time sky. “Queens Museum” is spelled out in silver signage across the top of the building. Hanging below the sign and above the front doors is a color photograph portrait of a Chinese man. He is posing against a white backdrop and wearing a white button up.

Polit-Sheer-Form-Office (PSFO)
Polit-Sheer-Form!

11.01.14 – 03.08.15

A color photograph of a pavilion shaped like an engine. Notably there is a giant, white, propeller on the front side of the building. Down at the street is a crowd of visitors.

That Kodak Moment: Picturing the New York Fairs

11.01.14 – 02.08.15

Roosevelt Island sits in the middle of the frame, with the Queensboro/Ed Kotch Bridge connecting Manhattan on the left and Queens on the right. Manhattan is densely populated with tall buildings, while this section of Queens has small housing buildings. In the back of the frame the Triboro Bridge and the Bronx are visible.

The Panorama of the City of New York

On Long-Term View

A 3D relief map of New York’s water system that was too large for the 1964 World's Fair. Now on permanent view the hilly terrain, the divets and rivers that the Catskills, Croton, and Delaware watersheds flow into are on display. Lights follow the path of aqueducts that lead to New York City.

The Relief Map of the New York City Water Supply System

On Long-Term View

In the foreground is a table surface with recycled, yogurt containers filled with paint, paint brushes, and a pitcher of water. In the background, the artist David Kearns, has his back turned and is painting a mural made up of trees transitioning into fall colors. The mural features a black-haired dog walking amongst the trees and a city scape in the background. The paint style is blotchy and fuzzy with details not completely made out.

David Kearns
Travels with Seamus

01.18.13 – 06.13.18

A black and white side profile photograph of a White woman against a plain backdrop. The woman occupies the left side of the frame. Her gaze is down and one hand up is squeezing her shoulder. Her hair is dark, full, wavy and brushed back. She has a couple freckles on her cheek, a nose ring, and a lip piercing.

Unwavering Truth: Archive Of Our Own

11.15.14 – 12.31.14

A dome like spherical model with curved lattice work on the roof and a horizontal wave like structure through the middle. Jutting out from the middle of the sphere are two walkways. The base of the sphere has grass, trees and three figurines walking around.

World’s Fair Collection

On Long-Term View

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