2022 Archive - Page 1

1-20 of 24 for “2022”
A night time scene of an outdoor dining table lined with folding chairs. Hiding the view of the table's surface, are water jars holding bouquets of wild green plants.
Exhibition 2021

Wet Networks
A projection covering two walls, coming together to create a corner. On the screens are four Black women, standing in a garden with purple and yellow flowers at their feet. Behind and around them are white flower petals. One woman wears a striped jacket over a yellow dress. Besides her an older woman in a red suit, next to her, a young woman in a plaid shirt. The final woman wears purple fabric draped over her head and body.
Exhibition 2022

Stephanie Dinkins
On Love and Data
In a black and white image set in the 1970’s, Suzanne Lacy stands to the left of the frame overlooking a room full of people. At the forefront are a group of people in wheelchairs, along the sides people are sitting on a couch. In the background people are standing along the room while others are sitting on the floor creating an oblong empty space in the center.
Exhibition 2022

Suzanne Lacy
The Medium is Not the Only Message
Installed on the facade of the Queens Museum is a yellow, three part banner with the phrase “Dear Service Worker, “Thank you for keeping NYC alive!” for → forever…”, written in black ink. At the top of the building is a sign that reads “Queens Museum”.
Exhibition 2020

Mierle Laderman Ukeles
For ⟶ forever…
A floral collage made with magazine clippings, paint, and colorful paper cut in organic shapes.
Exhibition 2022

School Programs & Partnerships 2022 Exhibition
A black and white photo of a group of women of color standing in a circle. They are standing on a park lawn arms length apart from one another. Behind them are tall trees and an above ground railway.
Exhibition 2021

Malikah: Building Power and Safety for Our Communities” and “TransLatinx Resilience against COVID-19”
In the middle is a wooden table with two square wooden benches on both sides. On top of the wooden table are folded maps and a sewage game. To the right is a fake golden toilet across from a vitrine with objects found on Flushing Bay. There is a sign reading Flushing Creek with an arrow next to the vitrine of objects. To the left is a map of Flushing Bay and a table vitrine in front of it with a wooden bench.
Exhibition 2021

Guardians of Flushing Bay
Field Station for Flushing Bay and Flushing Creek
Three Black adults sit in chairs forming a circle in what appears to be a classroom. They are dressed in business causal wear and have surgical masks on but tucked under their chins for a conversation. Behind them is a large poster with the logo for the Rockaway Development & Revitalization Cooperation.
Exhibition 2021

Rockaway Development & Revitalization Corporation (RDRC)
A Pandemic World – Through Our Eyes
Down a hallway, Photographs, news articles and video installations hang on a yellow and white wall with different Caribbean country flags, a rainbow LGBTQ+ flag, and Black Lives Matter flag, hanging from the ceiling in a row parallel to the wall. At the beginning of the hallway is a mannequin wearing a festive, bright colored, colorful, feathered, carnival outfit.
Exhibition 2021

Caribbean Equality Project
Live Pridefully: Love and Resilience within Pandemics
A blue wall has small white wall text on the left. In the middle, a large monitor with a blue water droplet displays ways to say 'water' across languages in the Algonquian language family. There is a large white wall text on the right: 'Tecumseh Ceaser Water Connects Us All'
Exhibition 2021

Tecumseh Ceaser
Water Connects Us All
An exhibition space with and assortment of classroom chairs arranged in a 3 x 3 square. The chairs are all facing an exhibition wall. On that wall is a projection of class in session overlayed on a back and white design sketch of classroom furniture.
Exhibition 2021

Gabo Camnitzer
Glorious Wound
Five colorful banners hang from the ceiling reading Proposal for a 28th Amendment?” And “Is it possible to amend an unequal system? in the five most spoken languages in Corona, NY. Below the banners, four visitors stand and lay on the five wooden colorful soapboxes in different arrangements.
Exhibition 2021

Alex Strada & Tali Keren
Proposal for a 28th Amendment? Is it Possible to Amend an Unequal System?
An exhibition space with text and image based art along its two longest walls. In the center is two, flat screens on tripods facing back-to-back. The screens are centered on a red, oriental rug, in between two, brown leather armchairs. On the screen facing forward is a man against a white backdrop. His form is blurred and gestural in a way that implies movement.
Exhibition 2021

Julian Louis Phillips
The Strategic Response Group (TSRG)
A white exhibition wall with a mural. The mural has a soft blue background and a bed of orange, blue, yellow, and pink flowers at the bottom. Hovering above the flowers is a smoking gun and four large bullets with the phrase “hurt people hurt people” written across them. Above that is a quote by MLK that reads “At the center of nonviolence stands the principle of Love” in orange cursive.
Exhibition 2021

LIFE Camp
Kingdom Peace
A exhibition room lit up by a slender, wooden light fixture. The light fixture is giving the room a warm tone. On the exhibition floor is dark, wooden panels arranged in a zigzag. Each panel has a unique cut out with a different vessel placed inside.
Exhibition 2021

Mo Kong
Personal Ark
A group of people ranging in age, racial background, and gender pose for photograph in front of a mural. Everyone is dressed in casual fall attire and has a warm expression on their face. About half of the group is wearing masks. The mural in the background is made of horizontal stripes. From top to bottom are the colors blue, white, peach, golden–yellow, orange, and dark blue.
Exhibition 2021

Malikah
What would the world look like, taste like, sound like, smell like, and feel like if ALL women were safe and could step into their power?
A group of Latinx women pose for a photograph. They are sitting and standing in three rows on a glass stairway above a museum floor. They are each holding up their own embroidery work.
Exhibition 2021

BordeAndo
Sentimientos en Comunidad
A white exhibition wall with a series of objects on display. Starting on the left is a Mexican flag fashioned into a dress hanging on a clothes hanger. Centered, is a framed certificate, a framed portrait of Lorena Borjas, and a framed magazine cover featuring Lorena Borjas. On the right is a gold handbell sitting on a white, exhibition shelf. In front of the wall is a long, rectangular display case.
Exhibition 2021

Colectivo Intercultural TRANSgrediendo
En recuerdo de Lorena Borjas (In Remembrance of Lorena Borjas)
A black, title slide with four pieces of white text. The text shifts orientation from horizontal to vertical, along a “s” shape line on its side. From left to right the text reads: Year of Uncertainty, You, Phase Three, January through February 2022, Synthesize & Reflect, Sintetizar y Reflexionar, Queens Museum.
Exhibition 2022

Year of Uncertainty (YoU) Phase III: Synthesize & Reflect
On a white exhibition wall you find two art pieces. The piece on the left is a small acrylic painting of tourists visiting Mount Rushmore. On the right is a tryptic of paintings. The first two are on stretched canvas of the same size and the third is on a larger piece of canvas. All three of them have the phrase “am I lovely” in pink, bubbly letters. The first two are depictions of South Asian women, dressed in traditional garments applying or holding bleaching cream and the third shares images and text about beauty standards.
Exhibition 2021

Sakhi for South Asian Women
Inherent Power
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