As part of the Community Partnership Exhibition Program THE NATURAL HISTORY MUSEUM–GRAND OPENING (On View September 13 – October 4), environmental activists and researchers have been invited to address how climate change might affect New York City, utilizing the Museums large scale model of NYC and the model of NYC’s watershed.
Matt Malina, Director of NY H20, uses the Watershed Model, a 540 square foot relief map built by the Department of Water Supply, Gas, and Electricity for the 1939 World’s Fair, to illustrate the potential impact of fracking of NYC’s water supply. Following the tour is an emergency short film detailing the public relations strategies and misinformation campaign perpetuated by the gas industry. “The Sky is Pink,” directed by Oscar-nominated filmmaker Josh Fox, looks at the gas industry’s flagrant disregard for the health and safety of the communities it ravages and the historic decision New York Governor Andrew Cuomo is poised to make.
Matt Malina is a NYC native and educator. Having grown up in NYC and studied engineering he was curious about its water system. He looked for some presentations about it but didn’t find any so he read up on it and started offering his own. Matt is the creator of NYC H2O, a series of educational tours and lectures about the city’s drinking water system.
ABOUT THE NATURAL HISTORY MUSEUM–GRAND OPENING
On View September 13 – October 4
The Natural History Museum is a new museum that does exhibitions, expeditions, educational workshops and public programming, but includes the social and political forces that shape nature, yet are left out of traditional natural history museums.
The Natural History Museum borrows from the legitimating aesthetics, pedagogical models, and presentation forms of natural history museums in order to support a perspective on nature as a commons. From this perspective, it lifts up the work of socially engaged artists and climate activists so that their interconnections appear.
The museum is a new ongoing project initiated by arts collective Not An Alternative. Members of the collective perform as anthropologists in the museum and as museum anthropologists, interrogating the influences that affect both the atmospheric climate on Earth and the political climate within natural history museums.
Like many of the collective’s previous projects, this one will employ the strategy of mimicry”originally a scientific process among animal species, now powerfully deployed by activists to exert pressure on predatorial actors. In this case, they will mimic traditional natural history museums with an aim to politicize the aesthetics of the re-presentation of nature.
The Natural History Museum will have its grand opening at the Queens Museum September 13th – October 4th. It is timed to coincide with the People’s Climate March, an historic march through the streets of New York City, with an anticipated hundreds of thousands of people calling for climate justice.
To celebrate the launch, a series of panels, workshops, and performances with artists, activists, scientists, anthropologists, historians, and theorists will introduce the public to the historical and theoretical framework that informs The Natural History Museum’s programs. Presenters include authors Christian Parenti and Astra Taylor, scientist Michael Mann, artists Mark Dion and Liberate Tate, historians Fred Turner and Stuart Ewen, media/political theorist Jodi Dean, activists Eddie Bautista and Elizabeth Yeampierre, and others.
In tandem with the museum’s opening will be the launch of The Natural History Museum’s online museum, (to be found at http://thenaturalhistorymuseum.org), and The Natural History Museum’s mobile museum, a 15-passenger tour, expedition, and action bus.
Curation: Not An Alternative
Exhibition Design: Not An Alternative
Design: Not An Alternative and The Public Society
Event Production: Paul Amitai
ABOUT NOT AN ALTERNATIVE
Not An Alternative is a ten year-old Brooklyn-based arts collective and artist-run non-profit organization with a mission to affect popular understandings of events, symbols, and history. Through engaged critical research and design, the group curates and produces interventions on material and immaterial space, bringing together tools from architecture, theory, exhibition design, and political organizing.
All of these efforts are enacted with an eye toward social change and strategies for creative political intervention that involve creating participatory points of entry for arts audiences and everyday citizens alike”not through a typical head-on (or head-butt) approach, but through the co-optation of popular vernacular, semiotics, and memes.
Not An Alternative’s creative actions, installations, and presentations have been featured within art institutions such as Guggenheim (NY), PS1/MOMA (NY), Tate Modern (London), Victoria & Albert Museum (London), and Museo Del Arte Moderno (Mexico City), and in the public sphere, where they collaborate with community groups and activist mobilizations.
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