Asian Pacifically New York:
The Photography of Corky Lee
Jun 8 2011
Aug 14 2011
Set inside the Queens Museum of Art’s magnificent Panorama of the City of New York, this exhibition presents the artist’s long-term commitment to documenting the experiences of Asian and Pacific Islander American communities of New York. These communities comprise 12% of the city’s population, who are perhaps seen but not well understood. By capturing the geographically, culturally and linguistically disparate communities under a pan ethnic-framework, Corky Lee hopes to highlight a political solidarity and shared identity forged in the American and New York contexts. These contemporary images challenge centuries-old ideologies and representations, and thus becomes instrumental in reconstructing and redefining a population that will continue to flower as engaged citizens and take their rightful place in America. With the understanding that the 10th anniversary is close at hand, some images will hone in on issues of immigration and post-9/11 experiences. Drawing on the diasporic impressions, Corky also includes an image of the detained Chinese artist, Ai Wei Wei from 1989 during pro-democracy protests.
There are 18 of the 36 photographs spanning Corky’s 40 years of work on QMA’s website. Additional photos will be projected across the 9,335 sq. ft. 3-D display during the reception.
This exhibition is an extension of QMA’s Partnership Gallery program.
Exhibit is made possible by contributions from the Confucius Institute of Stony Brook University, Asian/Asian American Research Institute of CUNY, OCA-Long Island and Asian American Center of Stony Brook.
Corly Lee’s Bio:
Corky Lee is a New York based photographer whose subjects frequently depicts concepts of Asian American assertion and awareness in the social and public life of New Yorkers and indeed, of all Asians in the US. As a second generation Chinese-American, Corky grew up in Queens during the Civil Rights era. He has been described as the “undisputed unofficial Asian American Photographer Laureate,” with his work depicting pinnacle moments such as the events following the Vincent Chin murder and the 1975 protests at City Hall. In addition, Corky’s skills have been employed by a variety of media outlets, including Time Magazine, the New York Times and the New York Post. His photographs, spanning over a forty year period, are currently being displayed at the Queens Museum until August 14th in an exhibit titled, “Asian Pacifically New York: The Photography of Corky Lee.”