Past Exhibitions - Page 6

An acrylic painting of four busts against a color-blocked background in pink, purple, yellow, blue and lime-green. Three of the busts are wearing white and blue striped shirts and one is wearing a pink and white striped shirt. They are all bald, ghostly white, and tilting their heads.
Exhibition 2018

Executive (Dis)Order: Art, Displacement & the Ban
A wooden surface with a collection of items spread out, including an open spread of a book, photocopied book pages, a pamphlet, watercolored pages, and color photographs of nature scenes and grass.
Exhibition 2018

Saunter Trek Escort Parade (S.T.E.P.) A two part exhibition of walk-based work with Flux Factory
A photo collage made up of images from community-based art projects. The images include artist and community members ranging in age, gender, and racial background interacting with different installations. Including, tea ceremonies, talks, murals, and interactive sculptures.
Exhibition 2017

Queens Art Intervention: Dwelling
A to scale mock up of a sculpture installation in Times Square. Transparent paper has been laid over a color photograph of Times Square and gridded lines have been draw on in pencil to perfect the scale of a sculpture. The sculpture is of a woman dressed in 19th century style clothing. In front of the sculpture is a sketch of a man view the public art.
Exhibition 2018

Mel Chin
Wake and Unmoored: Times Square
An exhibition space with Tiffany Glass lamps on display. The lamps are made up of mosaic, green blue, purple, and yellow nature patterns and motifs. They come in variations of floor, table, and hanging lamps.
Exhibition 2016

A Passion for Tiffany Lamps
An elderly Chinese-American man stands in a room with hardwood floors and dark grey walls. The view of him is framed by two large, iridescent globes that are covered by black, gridded lines. He is wearing a black suit, that fits his body loosely, a white dress shirt, and glasses.
Exhibition 2018

Mel Chin
All Over the Place
In the foreground is a table surface with recycled, yogurt containers filled with paint, paint brushes, and a pitcher of water. In the background, the artist David Kearns, has his back turned and is painting a mural made up of trees transitioning into fall colors. The mural features a black-haired dog walking amongst the trees and a city scape in the background. The paint style is blotchy and fuzzy with details not completely made out.
Exhibition 2013

David Kearns
Travels with Seamus
An immigrant woman stands in the middle of a street in Chinatown. Her gaze is up towards the sunlight and her hands are placed confidently on her hips. She is wearing a teal, pleated, sleeveless blouse, a grey skirt, and grey cardigan with a hood partly draped over her head. Behind her is a number of street signs in English and Chinese.
Exhibition 2018

REAL PEOPLE. REAL LIVES. WOMEN IMMIGRANTS OF NEW YORK
An image of a rusted ship sitting on a sandy beach, close to the water and against a cloudy sky. The image is split between four large-scale panels installed in the middle of an exhibition floor.
Exhibition 2017

Patty Chang
The Wandering Lake
On a white exhibition wall is a photograph of a white woman with short, brown, curly hair, wearing a black dress who is holding up a piece of paper in one hand. She is mimicking a painted portrait of man holding the same pose. To the right of the photograph is a mosaic patterned sheet of paper made up of tiny, multi-colored squares. The paper is in an abstract shape and has some of its squares missing.
Exhibition 2017

Anna K.E.
Profound Approach and Easy Outcome
Two hands hold a server in their hands. Next to them, on a table surface covered with a navy-blue, plaid table cloth, is a worn out package covered in tan packaging tape.
Exhibition 2017

Julia Weist with Nestor Siré: 17.(SEPT) [By WeistSiréPC]™
A black and white bird’s eye view of Manhattan with a bubble like dome covering the stretch below Central Park.
Exhibition 2017

Never Built New York
A stylized color photograph of a police barricade. One police officer makes up half the image and has his back turned towards the police line up. He is holding up a flashlight. The second half of the image is a blurred line of police men; one smudge of a face and a row of helmets forming a magenta, stretched beam of light.
Exhibition 2017

Sable Elyse Smith
Ordinary Violence
A view of a bank lobby through its glass entrance. The glass has a white, square decal repeated in two rows and its banking hours listed in tiny font. In the center of its tiled floor is a sculpture. On the back wall of the lobby is an office space with two blinds drawn half open and a front desk, booth with dark, wood paneling.
Exhibition 2017

Dave Hardy
Public Setting
Two immigrant women wearing kitchen aprons stand in from of an outdoor food stand. Behind them, in metal food containers, are different types of grilled meat, corn on the cob, and plantains. At the top of the stand is a colorful banner with images of different plates that they serve.
Exhibition 2017

Migrant Kitchens, Portraits and Short Films, from the Margins
A crowd of inter-generational Latinx community members stand outside for a community arts event. Focused in the foreground is three young girls. Two are playing a hand clapping game and one is cheering. Behind them is a papier-mâché sculpture of a hand and adults also cheering and clapping.
Exhibition 2017

Stepping into Our Courage: IMI Corona Exhibition
A wispy clouded blue sky in the daytime. Fluttering above it is a red, black, and green, horizontal striped flag on a black flagpole. In the top, left corner of the flag is a red diamond shape with black spots.
Exhibition 2017

Nari Ward
Breathing Flag
Twelve adults of different genders and racial backgrounds pose for a group portrait in a swanky living room scene. The adults are dressed in suits and formal gowns. The room has black and white striped floors, a number of lounge chairs and sofas, framed art, diamond chandeliers and crown molding.
Exhibition 2017

Nine
An exhibition space with hardwood floors embedded in the center of the floor. Raised above the hardwood floors is a set of four-sided blinds. The hardwood floors are covered with overlaying and multi-color sports field diagrams. Raised up within the blinds are four banners with a rainbow, checkered pattern.
Exhibition 2017

Ronny Quevedo
no hay medio tiempo / there is no halftime
A black graphic with collaged, white, stylized images of people at protests and their signs. The protest signs include phrases like “come together, “the struggle continues”, and “la revolución es poder para el pueblo”.
Exhibition 2017

Marinella Senatore
Piazza Universale/Social Stages
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