Past Exhibitions - Page 3

A vibrant and colorful painting by Aliza Nisenbaum featuring Veronica and her daughter Maritza sitting on a couch in their Queens living room. Around the couch is a stack of notebooks, a stool with a poinsettia plants, a portable speaker, a bicycle, and a sheet music holder. Veronica is wearing a yellow dress and turquoise cowboy boots. Maritza, who is resting under her mother's arm, is wearing a tank and cross-body purse with nature-inspired motifs, blue jeans, and gray socks.
Exhibition 2023

Aliza Nisenbaum
Queens, Lindo y Querido
Dr. Egon Neustadt sitting in a brown, cushioned chair. He is wearing a blue button up and gray slacks. His face is framed and lit up by a sea of glass lamps with different, colorful, mosaic patterns. Behind him is a large, blue and green, stain-glass window of a nature scene.
Collection

The Neustadt Collection of Tiffany Glass
A selection of artworks by the Leadership Cohort are on view.
Exhibition 2023

Liberating Our Truth
An installation view of Caribbean Equality's Projects' outdoor exhibition titled Live Pridefully. The image features several vinyl banners secured on a large black structure lining a tall brick wall. A woman is walking past the exhibition and looking at the banners. She has fair skin and blond hair, and is wearing a white tank top, turquoise shorts, and gray sneakers.
Exhibition 2023

Live Pridefully: Love and Resilience within Pandemics
a group of cut flowers lay on a white background with splatters of black paint.
Exhibition 2023

Cultural After-School Adventures Program (CASA)
An art installation made up of tiles, fills up a wall from floor to ceiling. The background creates a gradient from navy blue to blue, from top to bottom. Above the tiled background are six large circles, of varying sizes, made up of smaller multi-color circles.
Exhibition 2022

A New Way to Travel: Delta Air Lines x Queens Museum at LaGuardia Airport
An exhibition space with blue-gray walls and a cement floor. In the center of the floor is a free standing, six-sided, wooden structure installed on a hardwood floor. The structure is black and covered with organized lines of text written in uppercase, white font. Raised above the structure, is a four-sided set of white blinds held together by a rectangular beam and metal wires.
Exhibition 2022

Xaviera Simmons
Crisis Makes a Book Club
An empty gallery space with a large, laminated, glass sheet suspended from a custom steel rig. The sheet is a translucent, dark gray color and invites a third plane into the space.
Exhibition 2022

Charisse Pearlina Weston
of [a] tomorrow: lighter than air, stronger than whiskey, cheaper than dust
A black and white photo of a building with sharp and round corners, and a tower at the center. On the facade of the building reads “GLASS CENTER” in uppercase font. The building is lined with trees and several adults are walking by on the sidewalk out front.
Exhibition 2022

The Future’s Vessel: Glass at the 1939–1940 New York World’s Fair
A night time scene of an outdoor dining table lined with folding chairs. Hiding the view of the table's surface, are water jars holding bouquets of wild green plants.
Exhibition 2021

Wet Networks
In a black and white image set in the 1970’s, Suzanne Lacy stands to the left of the frame overlooking a room full of people. At the forefront are a group of people in wheelchairs, along the sides people are sitting on a couch. In the background people are standing along the room while others are sitting on the floor creating an oblong empty space in the center.
Exhibition 2022

Suzanne Lacy
The Medium is Not the Only Message
A projection covering two walls, coming together to create a corner. On the screens are four Black women, standing in a garden with purple and yellow flowers at their feet. Behind and around them are white flower petals. One woman wears a striped jacket over a yellow dress. Besides her an older woman in a red suit, next to her, a young woman in a plaid shirt. The final woman wears purple fabric draped over her head and body.
Exhibition 2022

Stephanie Dinkins
On Love and Data
Installed on the facade of the Queens Museum is a yellow, three part banner with the phrase “Dear Service Worker, “Thank you for keeping NYC alive!” for → forever…”, written in black ink. At the top of the building is a sign that reads “Queens Museum”.
Exhibition 2020

Mierle Laderman Ukeles
For ⟶ forever…
A floral collage made with magazine clippings, paint, and colorful paper cut in organic shapes.
Exhibition 2022

School Programs & Partnerships 2022 Exhibition
A black and white photo of a group of women of color standing in a circle. They are standing on a park lawn arms length apart from one another. Behind them are tall trees and an above ground railway.
Exhibition 2021

Malikah: Building Power and Safety for Our Communities” and “TransLatinx Resilience against COVID-19”
A blue wall has small white wall text on the left. In the middle, a large monitor with a blue water droplet displays ways to say 'water' across languages in the Algonquian language family. There is a large white wall text on the right: 'Tecumseh Ceaser Water Connects Us All'
Exhibition 2021

Tecumseh Ceaser
Water Connects Us All
In the middle is a wooden table with two square wooden benches on both sides. On top of the wooden table are folded maps and a sewage game. To the right is a fake golden toilet across from a vitrine with objects found on Flushing Bay. There is a sign reading Flushing Creek with an arrow next to the vitrine of objects. To the left is a map of Flushing Bay and a table vitrine in front of it with a wooden bench.
Exhibition 2021

Guardians of Flushing Bay
Field Station for Flushing Bay and Flushing Creek
Down a hallway, Photographs, news articles and video installations hang on a yellow and white wall with different Caribbean country flags, a rainbow LGBTQ+ flag, and Black Lives Matter flag, hanging from the ceiling in a row parallel to the wall. At the beginning of the hallway is a mannequin wearing a festive, bright colored, colorful, feathered, carnival outfit.
Exhibition 2021

Caribbean Equality Project
Live Pridefully: Love and Resilience within Pandemics
Three Black adults sit in chairs forming a circle in what appears to be a classroom. They are dressed in business causal wear and have surgical masks on but tucked under their chins for a conversation. Behind them is a large poster with the logo for the Rockaway Development & Revitalization Cooperation.
Exhibition 2021

Rockaway Development & Revitalization Corporation (RDRC)
A Pandemic World – Through Our Eyes
On a black podium a clear plexiglass box houses a plant growing out of a thin layer of soil. The plexiglass box has four metal vents and UV lights feeding the plant from above. The UV light in the box is bright and reflecting pinkish-purple light into the room. Framing the box is two sheets of lime-green plexiglass that have a cut-out mosaic pattern.
Exhibition 2021

Utsa Hazarika
Living As A Nation
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