Queens Museum/Jerome Foundation Fellowship for Emerging Artists
The Queens Museum-Jerome Foundation Fellowship is open to emerging visual artists living in the five boroughs of New York City. The Queens Museum defines an emerging artist as one who is at the dawn of their public career. The eligible artist has completed his or her studies, but has not had solo exhibitions at established commercial galleries or public institutions or received major grants. The category also includes artists who are well beyond their studies, and may have participated in group exhibitions but have not received extensive press or market recognition. These artists may have exhibited their work in other countries on a limited basis, but have not had major exhibition opportunities in the US or in New York in particular.
Applications are now open for the 2020-2021 QM-Jerome Foundation Fellowship. For more details, visit here.
The Queens Museum is thrilled to announce the artists selected for the 2019-2020 Queens Museum-Jerome Foundation Fellowship, Sydney Shen and Asif Mian! The QM-Jerome Foundation Fellowship for Emerging Artists was established to help emerging visual artists in New York City. Two artists are selected to receive stipends of 20,000 USD each; the opportunity to develop and exhibit a project at Queens Museum; and professional development support from Queens Museum curators and other programming staff members.
Sydney Shen (b. 1989, Woodbridge, NJ) lives and works in New York. Shen completed her BFA at The Cooper Union for the Advancement of Science and Art, New York in 2011. In 2010 she studied in the class of Josephine Pryde at Universität der Künste, Berlin.
Selected projects and solo and two-person exhibitions include: Every Good Boy Does Fine, Sophie Tappeiner, Vienna (2019); Onion Master, New Museum, New York (2019); Spring, For Seasons, Zurich (2018); Poor Thing with Kyung Me, Hotel Art Pavilion, Brooklyn (2018); What’s Worse Than The Void Is Matter, Motel, Brooklyn (2017); Four Thieves Vinegar, Springsteen, Baltimore (2017); Master’s Chambers, Interstate Projects, Brooklyn (2016); 骨蘋果茶 (Bone Apple Tea), Holy Motors, Hong Kong (2016). Selected group shows include: Commutiny, Sibling, Toronto (2019), No Body To Talk To, Invisible Exports, New York(2019); On The Use of Unknown Objects, Aldea, Bergen, Norway (2019); The Private Collection of Water McBeer, curated by Water McBeer, Deitch Projects, New York (2018); The Changes Wrought, American Medium, New York (2018); Jane Fonda, Pina, Vienna (2018); A Most Filial Imprint, curated by Robin Peckham, Aike Dellarco, Shanghai (2017). Shen is co-author of Perfume Area, a book of prose-poetry published by Ambient Press, New York.
Asif Mian (b. Jersey City, NJ), earned an MFA from Columbia University in 2018. Mian holds a B.A. in Studio Art & B.S. in Biology (Genetics) from Drew University, and attended the Skowhegan School of Painting and Sculpture in 2018.Working at the intersection of drawing, sculpture, video, and performance, Asif Mian’s practice explores the roles that ritual, masculinity, power, and violence have in society.
Selected solo exhibitions include RAF’s Red Plaid, CRUSH Curatorial, New York (2019) and a forthcoming exhibition Asif Mian: Everyday/Chiasma, curated by Tausif Noor, Fjord Gallery, Philadelphia. Selected group exhibitions include Lucky Draw, Sculpture Center, Queens (2019); Always, Already, Haunting, “disss-co,” Haunt, curated by the Whitney ISP Helena Rubenstein fellows, The Kitchen, New York, NY (2019); The Shed: Open Call, The Shed, New York (2019); Queens International 2018: Volumes, The Queens Museum, Queens (2018), and the forthcoming exhibition Beyond Geographies at BRIC, Brooklyn. Mian recently completed a WORKSPACE residency at the Lower Manhattan Cultural Council.
Images: Sydney Shen and Asif Mian in their studios.