Building a Collection for the Queens Museum
Nov 20 2005
Feb 26 2006
Traditionally museums keep collections. It is, in part, what defines them. Through the years the Queens Museum of Art has relied upon the generosity of collectors, artists and friends who have endowed this relatively young institution with a body of work of both contemporary and historical significance. The Museum’s collection, including the heart-stopper Panorama of the City of New York, has tripled in size over the past five years, from a core of approximately 5,000 items mainly related to the World’s Fairs, to a cache now including nearly 4,000 photographs from the 19th, 20th, and 21st centuries and an equal quantity of prints and drawings from the 1930’s to the present. Additionally, in anticipation of the Museum’s upcoming expansion, we have also been fortunate to acquire large scale sculptural installations that correspond to the expanse of the building’s uniquely shaped galleries.
The past five years have brought with them a number of important acquisitions, among them six important bodies of work, as well as remarkable contemporary pieces given by the artists who have become in many ways, the Museum’s biggest supporters. As a Museum deeply rooted in the World’s Fairs that took place on an around our site, two forgotten events from the 1939 and 1964 Fairs have been the focus of past exhibitions, and have since become crucial parts of our permanent collection: a body of fascinating photographs capturing Salvador Dalì in the midst of creating his 1939 Surrealist pavilion, Dream of Venus; and Photography in the Fine Arts, an encyclopedic exhibition of 138 iconic images from the professional, commercial, and amateur worlds of photography shown in the Kodak Pavilion in 1965. These two collections, together with generous gifts from photographer and dealer of photographs Charles W. Schwartz and the selections from New York Noir: Crime Photos from the New York Daily News Archive have provided a wonderful cross section of photography’s ascendancy from a 19th century document to a legitimate art form. Complimenting these broad and concentrated photographic records are two collections of drawings and etchings by a pair of artists whose combination of artistic sensibility and social commentary shed light on the rapidly changing world of the 20th century: John Sloan, whose etchings bring the highs and lows of New York City life in the first half of the 20th century to light; and William Sharp, whose drawings captured the rise of the Nazi regime, Cold War political tensions and the courtroom drama of major trials including those of Alger Hiss, Tokyo Rose and the Lindbergh kidnapper, Bruno Hauptmann.
These six major gifts have been a tremendous boon to the Museum’s collections, but so too have the many ambitious artists’ projects that have become the trademark of the Museum’s curatorial endeavor. The work shown here speaks volumes of these artists’ interest in assisting the Museum in building an important collection of contemporary work that addresses shifting trends in the international art community as well as the increasingly cosmopolitan dynamic of the borough of Queens.
List of Artists:
Shin il Kim
Rita McBride and Discoteca Flaming Star
Jean Louis Ernest Meissonier
John L. Moore
New York Daily News
New York City Department of Environmental Protection
W. Eugene Smith
WNYC New York Public Radio
A collection of postcards are available in the Museum Store.
Masayuki Kawai’s video, Yamato Takeru (2004), will be screened in the Theater on following Sundays at 2:30-3:30pm. Screening is free with museum admission.
January 8, 2006
January 29, 2006
February 12, 2006